Artwork by Anne Patterson
Flyer design by David Bird
Installation + Live Performances ($15 advance/$20 door; $10 students and seniors; free for kids under 18):
June 25th at 8pm (doors at 7:30pm)
June 26th at 6pm (doors at 5:45pm) & 8pm (doors at 7:30pm)
Student tickets available at the door with valid I.D.
Please note that tickets are non-refundable.
Open House Installation (free admission):
On June 26 from 12pm-4pm, the visual installation portion of Mysterium Novum will be free and open to the public and feature recorded music (no live musicians)
at WhiteBox
329 Broome Street
New York, NY 10002
Inspired by a project conceived over a century ago by synesthetic composer Alexander Scriabin, contemporary music ensemble The Nouveau Classical Project presents their latest installation, Mysterium Novum. In an environment of lush ribbons created by synesthetic artist Anne Patterson, reactive flowers, scent, light, and live music performed by a ten-piece ensemble come together to create a multi-sensory world. Mysterium Novum is an immersive installation that melds ribbons, light, music, and interactive technology inspired by synesthesia, a neurological phenomenon in which stimulation of one sense immediately triggers another. Audience members are free to roam around this synesthetic forest and experience a synthesis of art and the senses. Conceived by NCP clarinetist Isabel Kim.
Installation Anne Patterson
Music Paul Haas (World Premiere), performed by The Nouveau Classical Project
Scents and Costumes Atelier de Geste
Interactive Technology Joel Mellin
Lighting Design Jeanette Oi-Suk Yew
The Nouveau Classical Project
Marina Kifferstein, violin
Frederique Gnaman, violin
Hannah Levinson, viola
Jillian Bloom, cello
Shawn Lovato, bass
Laura Cocks, flute
Stuart Breczinski, oboe
Isabel Kim, clarinet
Mara Mayer, clarinet
Sugar Vendil, piano
CREATIVE TEAM
Clarinetist Isabel Kim is a member of The Nouveau Classical Project, Hotel Elefant, and Arabesque Winds. She has also performed with the Glens Falls Symphony, This Ambitious Orchestra, Rochester City Ballet, and New York Chamber Virtuosi. She has appeared at the Sanibel Music Festival, Wooster Chamber Music Series, Harry Jacobs Chamber Music Series, Experiments in Opera, Cervantino Festival in Guanajuato, and the River Concert Series; and at venues including Carnegie Hall, Lincoln Center, The Kennedy Center, and (le) poisson rouge. With the Arabesque Winds, she won the Grand Prize at the International Chamber Music Ensemble Competition, Harvard Musical Association’s Arthur Foote Prize, and the Coleman-Saunderson Prize. Isabel holds a Bachelor’s degree from the Eastman School of Music. She is based in New York City and has produced for Symphony Space andWNYC's New Sounds.
Sugar Vendil is a New York-based director and pianist lauded for “putting a new face on classical music” (NPR) and “leading the unlikely intersection of classical music and new fashion” (The New York Times). A Filipino-American, Sugar grew up in El Sobrante, CA and holds a Master of Music degree from New York University. She is the artistic director and pianist of The Nouveau Classical Project (NCP). She was featured as one of Refinery29's "Industry Leaders in the Arts" in 2014. Concerts outside NCP include solo performances for the FLATT Magazine Book 8 launch hosted by Rose McGowan at Tribeca Grand Studios, the Kempner Collection F/W 2015 NYFW presentation at Artbeam, and performances with The Curiosity Cabinet, Hotel Elefant, and Stone Mason Projects.
Sugar has expanded her artistic practice to creating and directing hybrid pieces that integrate music, fashion, movement, and other visual elements with NCP, such as “Test Site 1: (In)Habit,” a collaboration with choreographer Coco Karol and composer Trevor Gureckis, which premiered at GK Arts Center in April 2016. Sugar is a 2016 Fellow in the Target Margin Institute for Collaborative Theater Making.
Anne Patterson, has created incredibly varied works; from technologically advanced performances such as Mercury Soul at New World Symphony, to productions of Cabaret at Arena Stage, to large scale installations. Her theatrical and symphonic partnerships have included major venues across the United States: Avery Fisher Hall, Arena Stage, The Wilma Theater, The Kennedy Center, Alliance Theater, and prestigious symphonies throughout the country (San Francisco, Atlanta, Philadelphia, Chicago). Anne’s music–inspired installation, Graced With Light, created as the 2013 Artist-in-Residence at Grace Cathedral in San Francisco was extremely popular and featured nearly 20 miles of multi-colored ribbons cascading from the church's vaulted ceiling arches. She has exhibited her paintings and sculptures at Dillon Gallery, Denise Bibro, and Wallspace in New York City; The Shaw Room and Gallery 112 in Atlanta, GA; and the Cade Tompkins Projects in Providence, RI. BA Architecture, Yale University; MFA Set and Costume Design, Slade School of Art, London UK.
According to The New York Times, Paul Haas (www.paulhaas.com) “is surely on the brink of a noteworthy career.” Time Out New York calls him a “visionary.” The world premiere of his 80-minute concert event ARCO took place on the opening night of the Park Avenue Armory’s Tune-In Music Festival, ranked by New York’s WQXR as The Top New Music Event of 2011. Haas is the founder and Artistic Director of the critically-acclaimed Sympho, a groundbreaking ensemble that creates live orchestral experiences for the 21st century by placing classical music in new contexts (www.symphoconcerts.org). In October 2013, Haas was commissioned by San Francisco's Grace Cathedral to create a 70-minute musical installation, which was presented in collaboration with artist Anne Patterson's stunning visual textures. And after his first installation (2012) in the Oliver Ranch Foundation's Tower (a monolithic eight-story, 80-foot tall sculpture and performance venue designed by Ann Hamilton in California’s wine country that has hosted concerts by such artistic luminaries as Meredith Monk and the Kronos Quartet), Haas has been singled out as the only artist ever to be re-commissioned by the ORF, creating yet another immersive, site-specific concert experience at the Tower in September 2014.
Beau Rhee (Atelier de Geste) is a Designer, Artist, and Choreographer. Her work stems from choreographic ideas that are expressed in gestural, colorist and geometric themes. Objects and garments, scents, and wearable art pieces are often created for her performances. These pieces are the origin for Atelier de Geste, her design studio & brand. Rhee’s first scent and design work was shown at her MFA thesis exhibition at the Haute école d’art et de design de Genève (University of Art & Design Geneva) in Foundation Kugler in 2012, and have since been exhibited as works of art alongside her performances at Hammer Museum LA, Baryshnikov Art Center, Musée d'art et d'histoire, and la Maison Blanche de le Corbusier among others. Her work has been featured in British Vogue, Coolhunting, Elle, and the Art & Olfaction Awards. Rhee completed her BA at Barnard College, Columbia University in Art History & Dance in 2007. She currently lives and works in NYC. www.atelierdegeste.com
Joel Mellin is a Brooklyn-based multidisciplinary artist whose exploratory career has taken him from NASA space science engineering to studying with the musicians in the remote villages of Bali, Indonesia. He is a visual artist/composer/musician/sound artist/instrument builder. His work has been performed in the US at the Metropolitan Museum of Art (NY), The Smithsonian Institute (DC), the Princeton Festival (NJ), the Chocolate Factory Theater, The Kitchen, Ronald Feldman Gallery, Hartwick College, Adelphi University, and the Gershwin Hotel (NY). Internationally, his work has been featured in the Dublin Fringe and Dance Festivals and with the indie-pop-friendly London-based music label Where It's At Is Where You Are. In 2009, Oakland-based Kolourmeim Press published a limited edition book and companion CD entitled, Compositions For Computer: Volume 1. He is currently the Head of Technology at the NYC-based digital agency Sudden Industries (www.suddenindustries.com). Find out more information about Joel and his various projects at www.joelmellin.com.
Jeanette Oi-Suk Yew is a NYC based lighting designer in opera, theater, dance, and installation. Her work was described as “…contains the vibrant richness of a Caravaggio painted in neon.” Her designs have been seen in venues such as the Metropolitan Museum of Art, Brooklyn Academy of Music (BAM), Rose Theater Jazz at Lincoln Center, Baryshnikov Arts Center (BAC), HERE Arts Center, St. Ann's Warehouse, La Mama ETC, The Kitchen, ArtsEmerson, Manhattan School of Music, Joyce SOHO, Bard Music Festival, REDCAT, Highways Performance Space, and internationally at Havana, Prague, Lima, Graz and Edinburgh. Recent: Tan Dun’s Water Passion and Lang Lang In Concert at MET Museum, Sam Falls’September Spring, Debussy’s Pelleas and Melisande at the Waterfront Barge Museum, the premiere of Stephan Weisman’s Scarlet Ibis and Kamala Sankaram’s Thumbprint with Prototype, HK Gruber's Gloria - A Pig Tale with Alan Gilbert and Doug Fitch, Schubert’s Fierrabras with Leon Botstein, Gotham Opera’s Orientale, Jonathan Dawe’s Cosi Faran Tutti, Aaron Siegel’s Brother Brother, and Don Quijote de la Mancha: Romances y Musicias with Jordi Savall. Recipient of the NEA/TCG Career Development Program. www.jeanetteyew.com
